Showing posts with label pop culture. Show all posts
Showing posts with label pop culture. Show all posts

Saturday, January 14, 2012

Forget Maui

In this next piece, I will demonstrate how the 1996 action film The Rock missed out on what could have produced an iconic catchphrase in cinema history, through the changing of only one word of dialogue.
 
For those of you who have no idea what movie I'm talking about (if you're a man, you would have to be part of the 1%), I'm talking about THE fucking ROCK. Although I first saw this movie before I was able to create any sort of critical judgments, I still love it just as much as I did during my prepubescent years. Just look at the title. It's probably one of the most manly approaches to a movie title ever. I have no doubt that in the first draft of writing, this film was called The Cock. It's basically action-dude-brofest-deluxe. Kind of like Predator, but with more shirts and less muscles.

The first half of the movie establishes Dr. Stanley Goodspeed (Nicholas Cage) as an engaged chemist pussy that has to convince John Mason (Sean Connery), who has been incarcerated for decades, to help in leading a special forces team into Alcatraz in order to stop a squad of U.S. Marines from engaging in chemical warfare on San Fransisco. It's acknowledged right from the start that John Mason is pretty much a huge salty bad ass who quantifies winners as those who "go home and fuck the prom queen". However, Mason does know the whereabouts of a microfilm which apparently contained all of the dirty secrets the U.S. government was hiding from over the last half-century.

The majority of the movie really centers on the dynamics and tensions between Mason's dick and Goodspeed's vagina, as they struggle together throughout the complex avoiding exlplosions and Marines. During the final minutes of the film, after deactivating the weapons and wasting the bad guys, Goodspeed and Mason share a moment together before parting ways(this can be seen below at around 4:30 in the clip). Mason recommends a place for him and his new wife to spend their honeymoon, which is somewhere in Kansas. Goodspeed replies "I was thinking Maui", to which Mason shakes his head, puts a piece of paper containing the resting place of the microfilm, and says "Forget Maui". 

I absolutely believe that this is a wasted piece of dialogue that could have been solidified into pop culture if he had just replaced "Forget" with "Fuck". Think about it: "Naa.....Fuck Maui". It just makes absolute sense in this scenario. Here we are, in the final moments of one of the best action movies of that decade, during maybe the only sweet moment in the entire 136 minutes of the film. A swear word hasn't been said in the longest consecutive stretch since the opening trailers, and here we have two grown men about to part ways after battling incredible odds together. Wouldn't it be just amazing to throw "Fuck Maui" in there just to cap off the character of John Mason? It's literally the last line Connery has in the film, and it really could have been so much more effective and true to his character if he just dropped one last bomb. The entire film has established that he's an asshole, so why try to hide it at the last minute?


You can almost hear him say it in the clip even. In fact, if you mute the clip entirely, it looks like he says "Fuck Maui". It really would have just been the perfect ending to the character's story, seeing as we know that he's now presumed dead and will probably continue a life of illegitimate bad assery.  

Tuesday, June 29, 2010

cravings



Sometimes all I really feel like doing is watching Boyz in the Hood. I honestly get a craving to watch this once every two weeks, just below The Last Waltz and Citizen Kane.

I consider it a small masterpiece. A little slice of 90's Americana set in the South side of Los Angeles. Everyone's performances are unique and memorable, and there's just enough gritty storyline and character development that it keeps your eyes peeled to the screen from start to finish.

Additionally, it has easily the greatest movie dad in cinematic history. Furious Styles (played by Lawrence Fishburn), is a take-no-shit kind of dad that'll give you "rubbers", eat admiring neighbours' bbq'd ribs, fix your fade, and still pay the bills and love you by the end of the day. If I were up for adoption and Furious Styles walked into the room, I'd be like "Shit yeah, take me home daddyo". Even Rotten Tomatoes gave Furious the top honor in their Fathers Day Special called "Top 5 Movie Dads of All Time" click on it to watch.

Plus, everytime Ice Cube's character is on screen he has an Olde E in his hand (except for the flash back to when they were kids at the beginning). So gangster. In fact, I might host a forty party in my house in the future where we do nothing but drink OE and watch Boyz in Hood quietly and let Furious teach us about sex ed. Shit yeah.

Thursday, April 22, 2010

shawty

Since when does Usher need autotuning?

I thought that was mainly used for those who can't produce notes in key?



Let's stick to the classics, because I'm with Jay-Z on this autotuning.

Tuesday, January 5, 2010

basement edition

Urlesque just released their list of the 100 Most Iconic Internet Videos. Seeing as I'm a Youtube and viral video crackhead, I just spent the last two hours watching about 80 of them. A lot of them I've seen hundreds of times, and there were a few that were pretty hilarious/amazing/amusing as well. Although I believe there are some videos either missing or not worth including, it's definitely worth checking out I'd say.

In other video news, the latest (and I do emphasize late - the last Holiday episode was filmed over a year ago) edition of Talkin' ScHmIdT has been released. Although we had a tonne of fun filming and writing the segments over one night, I unfortunately had to shave off four minutes of footage because Youtube doesn't allow videos over 10 minutes to be uploaded. That was depressing. Some segments were removed entirely, including a gag reel that would have probably been the funniest part of the entire video. It was comparable to telling a songwriter to take out an entire verse of a song - it just hurt.

It flowed quite well I think. I'm not sure if it was the liquor or the experience, but we both have improved our delivery when working with such tirades. Even the editing and content is a lot cleaner from past episodes. Some of the segements could have been elaborated on a bit more, but like I said, it's ten minutes. One, in perticular, was my segment about ex-girlfriend/new boyfriend etiquiette - which I'll most likely elaborate on this here blog, because it's worth delving into.

Any agreements/disagreements on any of the issues? I'd love to hear some feedback, keeping in mind that everything was said in good fun.

The fact of the matter is, if every tirade Mike and I have gone on over the years was recorded, there would be a hell of a lot of 10 minute clips floating around.


Monday, December 28, 2009

"YTV, pull that shit down!"


Mike and I recorded the Basement Edition of Talkin' Schmidt last night. The topics include:

BK: Lego vs. Legos , Excess Disney Sequels, Useless Hand-held Phone Tactics, Backpackers, Call of Brutal Children

Andy
: Matilda and Satanic Messages, Ex Girlfriend w/ Boyfriend Etiquette, Anonymous Donors, Vegetable Commercial Motifs / Dad vs. Dolphins

Collectively
: Specific Souvenir Requests, Chicken Soup for the Damaged Readers
Soul

It was all filmed quite quickly and efficiently. Seeing as we haven't filmed an episode in almost a year, the topics flowed rather smoothly. The Crown Royal didn't hurt things either. Christmas time will do that to you


Tuesday, November 24, 2009

somebody give us some moneeeeyyy

It's simple: Canadian cinema has no money.

I'm pretty sure the biggest budget film of all time is still, get this, Porky's.

While aching and groaning in sickness, one of my favorite activities is to sit on the Apple site and watch movie trailers for about two hours. It's fun, and I know a lot who do the same thing.

However, I went back a few pages and noticed a trailer for a film called Bull that was originally posted over the summer. I'm almost certain this is the only Canadian film currently on the Apple Trailers website. And boy is it a sad one. After watching the trailer with a bit of neglect, I decided to share it with the rest of you just to exemplify how shitty the movie looks, which really doesn't have much to do with the cast or crew. It just looks terrible.
We see some garbage first-generation HD footage, some crappy sets, all the go-to Canadian actors (half of them have shows on CTV), terrible dialogue and even worse production value. But in actual fact, this all really just comes down to money - because our film industry has none.
Also, if you do decide to visit the films website for whatever reason, you'll notice the "Now Available on DVD" post-it in the lower corner, while it's still being advertised as a trailer. Ouch.

Monday, August 10, 2009

works every time

Some days I just feel like giving Much Music a chance.

I sat down this morning with some peanut butter toast and decided:

"Shit. Since there's nothing but shows about boats on TV, I might as well head over to Much Music. Maybe there's something good on,"

I was greeted by THIS.

I strongly suggest that you watch the entire video before reading anything below, just to put it into context.

First, a strong slew of obscenities comes to mind. This comes as no real surprise. Secondly, and most importantly, you have to ask "WHY?".

For starters, this suburban white-boy honky has no right being on television. He's not even good looking! Usually the formula goes as follows:

A = current looks, with chance of insurmountably awkward puberty stage
B = current voice, with chance for digital tuning
C = personality and marketability
D = chance for product placement

A + B + C + D = $$$

The strange thing is, this kid barely falls into any of these categories. He's not good looking: Usually the big record labels will go for the image first, and then start from the ground up. He's not talented: auto-tuning has more prominence on that track than keyboards. On top of that, the kid can't dance worth dick. Last time I saw something that white I was staring into the sun. The director knew that, so they either put a black kid next to him, or put him on a skateboard. Watch me ollie!

I understand that what I'm saying has been said time and time again, and that it will never get any better. I know why music sucks and I know why it will never change. Lou Pearlman practically wrote the bible of the formula in the early 90's.

My biggest question remains: WHY THIS KID?

He's on DEF JAM for fuck sakes. You know Def Jam? The Roots, Nas, Method Man and Red Man, Ghostface Killah, and this cracker? Why is Usher hanging out with this loser?


How long was I asleep?





Wednesday, July 22, 2009

don't forget to tweet


To be honest, I'd love nothing more than to get into Twitter.

The whole idea excites me.

I know many people who use it.

I think my account would be hilarious.

However, I can't find any good reason to do it. It's just another thing that I'd get people to visit (not that I encourage visits to this blog, ever), which would also suck another thirty minutes out of my already busy days.

That, and Schmitter on Twitter is already taken.

... but should I?