dode

I found this photo a few weeks back while sorting through my moms photo collection. Others would call it a heap, but I'll call it a collection. The photo is of my grandmother in her youth with a friend (the one in white). I estimated the photo was taken sometime in the mid-1950's

When I found it there was considerable damage. I included the original just to show how much work had to be done. That, and I just have a thing for photo restoration. There's something annoyingly challenging but rewarding about it. Anyway I thought it was a classy photo and thought I'd share.

Also, after applying a spray effect to her face in Photoshop, I noticed something eerie:

Ummmm, what the....? Is that me? Think about it.

PORTPHOTIO pt. 1

As with any of my creative endeavors, I feel the need to further explain myself.
Recently I posted PORTPHOTIO; an online video rendition of my film-based photography portfolio. There are a few things I should mention before/after you watch this video.

For starters, there are two different photo projects within the video: "Mind Spaces" (0:25-1:45), "If The Ladies Ain't Happy, Nobody Is" (2:30-3:10), and "I Could Have Sworn They Were Just Here" (3:40-4:20), which only contains half of the finished series due to time restrictions.

The Mind Spaces series, which I have written about before on this site, illustrates how the basis of our knowledge can be defined by simple four-walled rooms, whether through means of education or life experience. If The Ladies Ain't Happy, Nobody Is is a series of cyanotypes that depicts a 5-minute incident that took place between a group of boys and a single girl in Positano, Italy. I Could Have Sworn They Were Just Here is a creative documentary project based off the idea of abandonment and traces of human presence.

Within the video there is also a large amount of travel photography. Seeing as I always bring film cameras with me when I travel (something I do to large scale at least once a year) it is only fitting that I incorporate that work into my portfolio. Within, countries such as Canada, the U.S., Cuba, Australia, Italy, Fiji, New Zealand, can be seen, whether through landscape or portraiture. This is by no means my entire travel catalog. In fact, I have another 15 rolls of used film sitting in my freezer awaiting processing - another reason why I included "pt. 1" in the films title - indicating that this will most likely be an ongoing process.

Thirdly, I should touch on the digital aspect of this project. Aside from a few select photo's that were printed either chromogenically or inkjet (which I can clarify if anyone was really curious), the bulk of the work was shot on film and printed within a darkroom. Considering that I have an equal (if not more) amount of digital photography, I deemed it necessary to leave that work aside for another video project, which could easily occupy a similar amount of time. Separating these two was critical in my mind.

The video format idea was simply an accessibility idea. Seeing as my artistic website is not complete, I felt a different means of showcasing the work was needed. Considering that we live in a media-friendly age, I thought it best that the viewer relax and enjoy having myself flip through the images for them. Oh, YouTube didn't pick up on it, but the song playing is Sentimental X's - Broken Social Scene. It was the least annoying and most time appropriate song on my computer.

Lastly, how has the pun "portphotio" not been used yet? Sure, if you look it up on Google you will see a slew of sites, but most of them direct you to unknown domains and leave you stranded on foreign territory. If you type in "portphotio" on YouTube, it's the only video by that name. To me, being the YouTube junky that I am, that is some sort of milestone. After searching just now, "Paintfolio" doesn't exist either. If anyone reading this steals this idea, you better lawyer up asshole, because I thought of both.

On a lighter note, I really hope you enjoy the film, because it was intended for you all to see. Keep in mind that this is by no means a completed project, but rather an ongoing one.

Andy Schmidt 2010.

ps. If the video does not fit due to its widescreen aspect ratio, view it here.

hue video diary one

due to the lack of posts, i'll justify myself by putting this video up

until then

I was listening to this song the other night and decided to bring it back to life by making a video for it. Seeing as I had a camera full of travel footage, I thought why not use it somehow? The thing I find kind of funny about the video is that it was entirely shot by myself, my dad, and my brother - something which I can guarantee you won't happen again for the rest of history: the Schmidt boys filming music videos.

Needless to say, here it is.



Aside from that, it may be worth watching on Youtube's site, seeing as the format of my blog cuts the sides off videos when viewed on certain screen sizes, like my own.

basement edition

Urlesque just released their list of the 100 Most Iconic Internet Videos. Seeing as I'm a Youtube and viral video crackhead, I just spent the last two hours watching about 80 of them. A lot of them I've seen hundreds of times, and there were a few that were pretty hilarious/amazing/amusing as well. Although I believe there are some videos either missing or not worth including, it's definitely worth checking out I'd say.

In other video news, the latest (and I do emphasize late - the last Holiday episode was filmed over a year ago) edition of Talkin' ScHmIdT has been released. Although we had a tonne of fun filming and writing the segments over one night, I unfortunately had to shave off four minutes of footage because Youtube doesn't allow videos over 10 minutes to be uploaded. That was depressing. Some segments were removed entirely, including a gag reel that would have probably been the funniest part of the entire video. It was comparable to telling a songwriter to take out an entire verse of a song - it just hurt.

It flowed quite well I think. I'm not sure if it was the liquor or the experience, but we both have improved our delivery when working with such tirades. Even the editing and content is a lot cleaner from past episodes. Some of the segements could have been elaborated on a bit more, but like I said, it's ten minutes. One, in perticular, was my segment about ex-girlfriend/new boyfriend etiquiette - which I'll most likely elaborate on this here blog, because it's worth delving into.

Any agreements/disagreements on any of the issues? I'd love to hear some feedback, keeping in mind that everything was said in good fun.

The fact of the matter is, if every tirade Mike and I have gone on over the years was recorded, there would be a hell of a lot of 10 minute clips floating around.

"YTV, pull that shit down!"

Mike and I recorded the Basement Edition of Talkin' Schmidt last night. The topics include:

BK: Lego vs. Legos , Excess Disney Sequels, Useless Hand-held Phone Tactics, Backpackers, Call of Brutal Children

Andy: Matilda and Satanic Messages, Ex Girlfriend w/ Boyfriend Etiquette, Anonymous Donors, Vegetable Commercial Motifs / Dad vs. Dolphins

Collectively: Specific Souvenir Requests, Chicken Soup for the Damaged Readers Soul

It was all filmed quite quickly and efficiently. Seeing as we haven't filmed an episode in almost a year, the topics flowed rather smoothly. The Crown Royal didn't hurt things either. Christmas time will do that to you

rosebud

For whatever reason, over the past few months the only thing I've felt like doing in my spare time is cooking and watching Citizen Kane. I have over one hundred movies in my house and I only ever feel like watching that one.

Aside from the incredibly gorgeous camera work, as well as the quality of the black and white footage, the film almost sounds like an album. I find when I'm cooking at home and watching say, a kung fu movie, I become more distracted with the visuals and end up burning my pork fried rice because I've been staring at the screen. However in the case of Citizen Kane, the movie relies far more on the narratives presented than the shots themselves. The script is slick and concise, which is why I could probably listen to the film on an mp3 player, if such a thing was possible.

If any of you readers have never seen the film, contact me and I'll run to your house to watch it with you, with a bottle of wine (I say that because most of the readers of this blog are femmes).

bondark presents

Just a little note saying I've updated my Flickr account with some stuff I shot at Yellowstone over the summer. Keep in mind, it's all digital black and white. I'll begin printing my film when I win the lottery.